Ivan Surodeev

First Company Artist

Introducing Ivan

Born in Russia, Ivan trained at the Perm State Ballet School. After competing at the prestigious Prix de Lausanne in 2018, Ivan was offered a contract at Ural Opera Ballet, in Yekaterinburg, as a Soloist. Ivan danced many principal roles in both classical and modern works and swiftly rose to the rank of Principal in 2021. 

Ivan later joined Astana Ballet as a Soloist before moving to Australia to join Queensland Ballet.

Repertoire Highlights  

  • 'Lucien' in Marius Petipa and Pierre-Frédéric Malavergne's Paquita 
  • 'Basilio' in Marius Petipa's Don Quixote
  • 'Colas' in Alexander Gorsky's La fille mal gardée 
  • 'The Nutcracker Prince' in Vasily Vainonen's The Nutcracker
  • 'Golden Idol' Vladimir Ponomarev and Vakhtang Chabukiani's La Bayadere
  • Ocean in Arthur Saint-Léon's The Little Humpbacked Horse
  • 'Rose' in Michel Fokine's Le Spectre de la rose
  • Principal Dancer in Vyacheslav Samodurov's Salieri Variations
  • 'The Flower' in Vyacheslav Samodurov's The Snow Queen
  • Pas de six in August Bournonville's Napoli
  • 'Albrecht' in Jean Coralli and Jules Perrot's Giselle
  • 'The Teacher' in August Bournonville's Le Conservatoire
  • 'Prince Siegfried' Pas de trois in Marius Petipa and Lev Ivanov's Swan lake
  • 'Giuseppe' in Marius Petipa's The Naiad and the Fisherman
  • ‘Romeo’ and ‘Mercutio’ in Kenneth MacMillan’s Romeo and Juliet
  • ‘Franz’ in Greg Horsman’s Coppélia
  • ‘First Soloist’ and ‘Second Soloist’ in Greg Horsman’s Rhapsody in Motion
  • ‘Puck’ in Liam Scarlett’s A Midsummer Night’s Dream
  • ‘Summer’ in Natalie Weir’s Four Seasons
  • ‘Snow Prince’, ‘Sugar Prince’ and ‘Russian Dance’ in Ben Stevenson’s The Nutcracker
  • ‘Azolan’ and ‘Danceny’ in Liam Scarlett’s Dangerous Liaisons
  • ‘Claudius’ in Leo Mujić’s Hamlet
  • Christian Spuck’s Messa da Requiem

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We acknowledge the traditional custodians of the land on which we work and perform. Long before we performed on this land, it played host to the dance expression of our First Peoples. We pay our respects to their Elders — past, present and emerging — and acknowledge the valuable contribution they have made and continue to make to the cultural landscape of this country.