Originally from Rockhampton, Cameron Goerg has been working professionally for 16 years both as a lighting designer and in technical development. He is currently Lighting and Technical Manager for Queensland Ballet whilst also taking on freelance lighting design commissions.
He has designed lighting for many new dance works in Queensland Ballet’s Vis-à-vis and Dance Dialogues seasons with recent highlights including Amy Hollingsworth’s Cadence, Interrupted, Jack Lister’s Memory House and Fonder Heart. Cameron has redesigned lighting for Queensland Ballet’s sold out productions of Ben Stevenson’s The Nutcracker from 2014 to 2016 and regional tour productions including Greg Horsman’s Coppelia, Ben Stevenson’s Cinderella and Ai-Gul Gaisina’s Giselle.
He designed lighting for Shake & Stir's Youth Shakespeare Festival’s A Midsummer Night’s Dream and Collusion Music’s Desirelines.
Cameron works as an integral part of Queensland Ballet’s production department and has been heavily involved in the technical development of main stage productions including Trey McIntyre’s Peter Pan, Sir Kenneth MacMillan’s Romeo & Juliet and Derek Deane’s Strictly Gershwin.